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In literary terms, violence provides a readymade drama, an impetus for action and reaction, shock, emotion, transformation—from Milton’s War in Heaven to Modernist aesthetics of shock to the contemporary thriller. Literature is also a site where violent experience is variously recorded, masked, performed and objectified. The work in this issue of Southerly is situated at the intersections where intense personal experience meets the force of pervasive operations including poverty, colonialism, gendered and racialised violence from the colonial period to the present.
The issue also includes a range of unthemed material and reviews as well as the shortlisted and winning poems from the David Harold Tribe Poetry Award.
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A year’s subscription to Southerly comprises of three issues of Australia’s longest running literary journal.
The next three issues will continue Southerly’s tradition of publishing and promoting the best in Australian literature. They will include the latest and best in new Australian fiction and poetry, as well as articles and essays relating to Australian literature, and reviews of new Australian books.
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Southerly: 77.3 Mixed Messages
The theme of this issue, Mixed Messages, relates in the main to a thread running through the essays, all of which engage with texts that challenge the limits of genre. These challenges include the status and influence of what might be termed a secondary genre deployed by writers whose renown is based on another form: Brigitta Olubas considers the short fiction of novelist Shirley Hazzard; and Cheryl Taylor introduces the poetry of novelist Thea Astley.
Kate Livett delves into the mixed media, specifically music and photography, at the core of Helen Garner’s The Children’s Bach, and Peter Kirkpatrick examines the fusion of Gothic and Romance forms in Chloe Hooper’s The Engagement, and David Brooks thinks through the miscenegy of the human and the non-human in relation to the famous scene of Derrida standing naked before his cat.
Another strand in the issue is of comedy and errors and includes fiction by Debra Adelaide, John Kinsella, Mark Macrossan, Sara Bucholz, Nasrin Mahoutchi, Niki Tulk and Scott McCulloch. The poetry spans its usual wide range from the lyric to graphic experimentation and the reviews introduce some of the exciting new work published across creative and critical forms.
Southerly Subscription for Organisations
A year’s subscription to Southerly comprises of three issues of Australia’s longest running literary journal. The next three issues will continue Southerly’s tradition of publishing and promoting the best in Australian literature. They will include the latest and best in new Australian fiction and poetry, as well as articles and essays relating to Australian literature, and reviews of new Australian books.
Organisations receive a year’s worth of both the Southerly print journal and the digital journal.
Southerly Digital Subscription
Southerly’s Digital Edition contains the same great writing as its hardcopy counterpart, to enjoy on your computer, eReader or mobile device. A subscription includes three digital issues of Southerly.
Please note that we can only offer joint subscriptions to our customers in Australia. A joint subscription includes three issues of Southerly, plus our companion journal’s annual equivalent.