Caravan to Yale – A Tjindarella Story

Caravan to Yale – A Tjindarella Story

by Natalie Harkin I am above the clouds, floating on my contemplations and looking for patterns and remnant bush in cleared and carved-up landscapes.  I’ve just parted ways with my friend and fellow poet at the Adelaide airport – she to Sydney and me to Canberra, each...
My ‘Avant-Garde Card’: Five Aesthetic Categories

My ‘Avant-Garde Card’: Five Aesthetic Categories

by A.J. Carruthers ―For Pam B., Michael B., Fiona H. & Justin C.  In this final blog post I want us to all get making. To get into the spirit of active experimentation, I want to share some personal writing practices here in the form of five achievable aesthetic...
The Australian Neo-Avant-Garde: Beginnings, 1973-1992

The Australian Neo-Avant-Garde: Beginnings, 1973-1992

by A.J. Carruthers   It is imperative that studies of the neo-avant-garde in Australia, and I think avant-garde studies in general, strike a balance between theory and history. One cannot just have a history of the avant-garde: a slew of good examples without a theory...
Pocket thanks

Pocket thanks

by Alison Whittaker     Dunno if you remember me, tid. You and me went to school together in 2005.   I’ve got these vignettes of you in my head. First we walked together on a tour of the school grounds like fluffy juvenile magpies – except it was so hot...
Talking about: talking about

Talking about: talking about

by Alison Whittaker   ‘In conversation’ is the lie I tell myself to get to a venue where I’ll talk about writing.   Harmless little chat. It’s a harmless little chat.   Here’s the real harmless little chat, twenty minutes before: From there, a writerly...
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