David Brooks, Editor
David Brooks is a poet (Walking to Point Clear, Urban Elegies, The Balcony), novelist (The House of Balthus, The Fern Tattoo), essayist and writer of short fiction (The Book of Sei, Black Sea, etc.). Before coming to Southerly, he had been, at different times, editor of Helix and The Phoenix Review, North American editor of New Poetry, on the editorial boards of Westerly, the Logbridge Rhodes Foundation and Canberra Poetry, and founder/editor of the Open Door Press. His work has been widely anthologised, shortlisted for numerous awards (the Miles Franklin, the NSW Premier’s Award, the South Australian Festival Award, the FAW Christina Stead Award, etc.), and translated into many languages. He wrote his PhD in the 1970s on the poetics of Ezra Pound’s early Cantos, and has edited and/or worked closely with A.D. Hope, R.F. Brissenden, Galway Kinnell, Mark Strand and many others. He lives in the Blue Mountains and teaches Australian Literature at the University of Sydney. His latest publications are the novel The Umbrella Club and The Golden Boat, a collection of translations, with Bert Pribac and Teja Brooks Pribac, from the Slovenian poet Srečko Kosovel. He joined the editorial board of Southerly in 1991 and has been its managing co-editor since 1999.
Elizabeth McMahon, Editor
Elizabeth McMahon teaches in the English program at the University of New South Wales, specifically Australian literature, women’s writing and critical theory. Her most research and writing focuses on Australia’s island imaginary and how imaginative geography has shaped Australian literature. With Brigitta Olubas she edited Women Making Time: Contemporary Feminist Critique and Cultural Analysis (2006) andRemembering Patrick White: Contemporary Critical Essays (2010) Before taking the co-editorship of Southerly, she edited Australian Humanities Review from 1997-2007.
Kate Lilley, Poetry Editor
Kate Lilley is a poet and academic. She is a member of the English Department of the University of Sydney. Her first book of poems, Versary (Salt 2002), won the Grace Leven Prize and was short-listed for the NSW Premier’s Awards, 2002. Widely anthologised, her second book, Ladylike, is forthcoming from Salt. She has also edited Dorothy Hewett: Selected Poems (UWAP 2010) and the Penguin Classics edition of Margaret Cavendish: The Blazing World and other writings.
Brandl & Schlesinger
Brandl & Schlesinger, celebrating sixteen years of publishing, has a reputation as one of Australia’s most renowned independent publishers. We publish and nurture first time authors, with many of their titles winning major literary awards. We have a diverse list of quality fiction and non-fiction, literary memoir and biography, academic journals, translations and a distinctive poetry list. As an independent publisher we are committed to publishing books that are often overlooked by the multi-national conglomerate publishers, and that appeal to both the national and international market.
Christoper Cyrill, Fiction Reader
Christopher Cyrill is a internationally published novelist, university lecturer in fiction and former fiction editor of Heat Magazine and Giramondo publishing.
Michelle Hamadache, Fiction Reader
Michelle Hamadache teaches English Studies and Creative Writing at Macquarie University. The conviction that writing is an emancipatory step, but that not every product of the imagination is art informs her teaching and her writing practice. She has had publications in Southerly, Parallax, Island and Kunapipi. Her theoretical work explores ethical approaches to representing violence in the Algerian war of independence from France (1954-62). Creatively, she is currently working on a manuscript of collected stories from Kabyle survivors of French internment centres.
Liliana Zavaglia, Reviews Editor (Prose)
Liliana Zavaglia works as a casual academic in the field of Australian literature at the University of Sydney. She has previously published in Australian literary journals and edited collections of Australian writers. Her forthcoming book,White Apology and Apologia: Australian Novels of Reconciliation (Cambria), traces the fluctuating desires of liberal white discourses which have emerged in the wake of the profound cultural, political and legal transformations that have taken place in the field of Indigenous rights since the 1990s.